Monday, December 18, 2006

THE CITY OF THE LONER - Chapter Two



2 - THE NAMELESS CITY


All together, there were one hundred. Counting the man, who came to be known only as Loner, there were one hundred and one. Just a few people, an insignificant number in relation to the objective. Later, more would come. Hundreds and hundreds, thousands,would become a myriad with a common goal. Their worthy cause united the men and kept them motivated, undaunted by the magnitude of the work at hand. The challenge of building a city had to be met, so they unfurled their flags and marched forward in battle.

The first building they raised was the museum, so that they could preserve the history of the city as it developed. The building with its noble lines and ample space was walled in and surrounded by vast gardens. Two grand stairways projected from its façade. Each a main entrance, the one on the left led to an immense lobby and corridor heading to the founders’ gallery, which would hold portraits of the hundred pioneers who joined Loner. The frames are displayed on the walls just as they were placed at the time of construction. Just the frames.

The stairway on the right led to another lobby whose corridor directed people to a gallery which had been reserved for portraits of future authorities. Frames had been tastefully arranged, but just as in the founders’ gallery, the frames were empty. In a room to the left of the founders’ gallery were the city archives, where important papers and historical documents were to be displayed or stored. Incredibly, all of the shelves, display cases, and files were completely empty.

In symmetry, the heraldry room to the right of the other gallery had been reserved for banners and coats of arms. It was also bare.

From the ceiling of each room hung enormous crystal chandeliers, some with more than two hundred lights. They seemed brand new. In fact, everything in the museum — the furniture, the polished marble floor, the red carpet runners — was in perfect condition. Was the museum a useless work of art?

No, and if people were to think so, they couldn’t be more mistaken. Each day groups of tourists visit the stately building seeking information and emotion because, above all, that’s what tourism’s about.

Who wouldn’t be impressed to learn that the museum was the first building raised in the City?

Who wouldn’t be moved hearing the story of the loner and his decision to build a city?

When schools were in session, especially on weekends, children stood on long lines for the museum. They were anxious to see and to hear and to discover the secrets of the fascinating loner.

“Whose picture should be in that big frame?” someone would address a teacher.

“Over there? That should be the portrait of the loner.”

“Who was the loner?”

A group of children, buzzing with curiosity would approach asking questions. They wanted to know everything related to the museum, asking questions and listening to answers until their thirst for knowledge was quenched.

“Excuse me, mam, the plaque says this is the Heraldry Room. What is heraldry?”

“Heraldry is the art or science of coats of arms.”
“And what are coats of arms?”

“A coat of arms is a kind of shield, insignia, an emblem. For example, the design on the pocket of your school uniform is the school’s emblem. It’s like a coat of arms.

“Teacher, after completing the museum, what did the loner build?”

The answer came unexpectedly by a stranger, a tour guide who joined the group, explaining, “After the museum, the loner and his friends constructed buildings that the community would need in order to survive."

“And what were they?” asked a few of the children speaking at the same time.

“A town hall, a church, a courthouse and, of course, waterworks, the City’s Waterworks.

“And what about houses? Houses for the loner and his friends?”

“ Oh,” the tour guide explained, “They built the houses last of all.”

“Did they move to the City right away?”

“They only brought their families when everything was ready. Then they moved here to stay.”

“And why did they name this city the City?”
“It’s a long story” the tour guide warned the group, but I’d be happy to tell you if you have time. You’ll have to ask your teacher.”
“We’d love to hear all about it,” the teacher answered smiling.
The guide asked the group to sit on the stairs and get comfortable before she began the tale. She told them about the loner’s problem. He was anxious to inaugurate the city, but couldn’t find a name worthy of the beauty surrounding him. He dreamed of a name that would be melodious, a name that would be easy to pronounce, and pleasant to the ear.
The guide continued, “The loner asked his friends for help, but after long meetings and debates, they decided that it would be better to get input from the population. So, they set up a giant suggestion box in front of the museum, where people who wanted to, could include their choices. They were allowed to make as many suggestions as they could. The suggestion box would be opened at a festival, where a commission of judges would announce the best name. And that’s exactly what they did. What they didn’t expect, however, was that facing so many beautiful names, and embarrassed to admit it, the commission couldn’t make a decision.
“So, what did they do?” asked a little girl with her pencil in hand ready to jot down the response.

“Well,” the guide sighed, “they had to postpone the celebration. They set a new date, but when the day arrived, the same thing happened. So again, they set a new date, and once again the judges were undecided. From postponement to postponement, from festival to festival, they got nowhere, and while the people waited, they referred to their new home as the City. Repetition became habit, habit became tradition and eventually, the tradition gained acceptance. So, that is how this city became the City, and no one even thinks about changing its name.

“Please, could you explain why the people here don’t have names either,” the teacher requested helping to give her students the benefit of the guide’s deep knowledge of the City’s history.

“It does seem strange,” he explained, “that the people here don’t have full names. Yet, everyone is identifiable because each person has a word that describes him or her. This word isn’t a typical full name, just as we know that the City doesn’t have a name. Still, because each person has a descriptive word, no one loses his or her individuality. Some of these words originated from the activities their owners performed. For example, I am Guide because of the job I do. Is there anyone here who doesn’t know what we call our mayor? Mayor, of course. Who could forget that our baker is Baker? And that the leader of the municipal orchestra is Maestro. These are simple examples of labels that are logical because the reasons for their
choices are easily understood. Others, on the other hand, are not so clear. One is Pilungo and another Calunga; both are City Club soccer players.

To illustrate his point, Guide addressed a child sitting on the first step, “And what about you, What do people call you?”
The little girl answered. “I am Yellow Karandash.”
“And do you know the story of these words?”

“Yes, my mom told me. She said that when I was born I was as skinny as a pencil and as blond as corn silk. So, my dad chose two words. ‘Karandash’ means pencil in my father’s language, and ‘Yellow’ comes from my mom’s language. My father is Russian and my mother is American.”

“Did you hear that?” the guide continued. I don’t need to go on about this subject. You all seem to understand why we don’t need names in the City.

“Okay. Next, tell us about the man-made lake, the Lake of the City,” suggested a few children at
once. Others joined in, calling out together so that no one could be heard clearly:

“Tell us about the lake.”
“Tell us about the river.”
“... about the waterfall.”

Guide always enjoyed explaining and the enthusiasm of this group motivated him.

Teacher got the group to settle down.
“Calm down, children. Please.”
Guide raised a finger to his lips, gesturing for silence and order in the group.

“All right now,” he said, “I’ll talk about all three. Let’s begin with the lake,
which was the first project.”

The children listened quietly as Guide began.

“I know that all of you love the lake. There’s no special reason for loving it, but it evokes strong feelings. It’s a love that comes from afar, from generation to generation, like the blood running through our veins. Our old folks tell us that when Loner and his friends finished digging the lake, they were disappointed. The water was cold and dirty, the color of red clay.
The loner was right to be sad: the lake would be of no use to the City. Then one night, he and his friends got together and spoke of the love that had gone into digging the lake. They all felt that love in the heaven and on earth and in the stars which reflected on the surface of the lake. Awestruck, they
watched the transformation. The icy water became warm; the cloudy red became crystal clear, revealing pebbles and rocks in its depths as well as colorful fish. It was as if the lake were a gigantic aquarium."

The children gazed dreamily hypnotized by the Guide’s story. They were rapt in silence.

“The lake was enchanted,” Guide concluded, confident that the children and their teacher were truly a captive audience. Instead of continuing the story, he started throwing out questions to stir up even more interest.

“Have you ever noticed that, even though everyone uses the lake to swim and fish and compete in water sports, the water is always clean and crystal clear? Did you know that whoever drinks water from the lake never leaves the City? And that if they have to leave at all, it is just for a short time? Did you know that those who do leave and come back to the City return with double the love in their hearts and commitment to contribute more and more to enrich the land? It is true. It happened to Baker and to Maestro and to Chief of Police. When Baker came back to live here, he installed a modern pastry shop. Maestro organized our superb orchestra and marching
band that you love so much. As for Chief of Police, after a few months living out of town, he returned and built a prison — the Maximum Security Prison. These are just a few of the many examples.

The lecture was interrupted by the arrival of another busload of tourists to visit the museum.

Guide excused himself to greet the next group.

“Thank you so much, Guide,” said Teacher.
“for the wonderful tour you gave the children and me.”

“Thank you. Thank you,” the children called out.

“We loved it,” others joined in.

“We’ll come back again.”

Everyone loved the tour, and I in particular, more than anyone else. After all, Guide freed me from having to explain why the City and its population didn’t have names. The tour also saved me the trouble of telling about the man-made lake, Lake of the City. It’s too bad that he didn’t have time for the river or the waterfall, but I’ll write about them later. I promise.

Sunday, December 17, 2006

LAUGHTER'S THE BEST MEDICINE




"Get Married?"

Arthur took his college roommate, Samuel, home for Christmas, and after dinner, spoke to his father,

- "Dad, I need to tell you something. Samuel and I want to get married, and we'd like your blessing."Arthur's father practically exploded, his face turned red, and was literally speechless for ten minutes. When he finally regained his composure, he replied,

- "Arthur, you cannot marry Samuel!!! For Christ's sake, Arthur...
- He's Jewish!"

Saturday, December 16, 2006

THE CITY OF THE LONER - Chapter One



PART 1

BEGINNINGS

"Era ele que erguia casas
onde antes só havia chão."

"It was he who built houses where there had only been the soil."

Vinícius de Morais



1 - THE LONER



I’m writing just to kill time. Time which only exists within our minds in the frequencies of our emotions. Outside, time moves quickly. It runs. It flies. Here, it is only the clock in the patio that keeps me aware of its passage, speaking to me by means of hands that inch and chimes that sound each quarter hour. For me, they drag. At times, I surprise myself, fixing my eyes on the long, thin second hand, escorting its efforts from one mark to the next, slowly plodding, never arriving, something certainly obstructing the sand in the hourglass.
It is terrible to be imprisoned.
The silence is torture.
Since I arrived, I‘ve been tormented by the stillness. I have no one to talk to, no reason to speak. If only Jailer would open his mouth... He’s stubborn in his muteness. Hermit-like, he’s built a private world, inaccessible to me. Sitting in his armchair, eyes closed, ears isolated by headphones, he knows everything that’s going on in the City, but keeps it all to himself. There is no happiness or sadness; there is nothing, in fact, to stir him or make him show any feeling.
He is on the living dead.
Or of the dead living
So, all I can do is to wait.
Wait and wait.
I must control my anxiety and learn to put up with waiting. If not, when the ninth day arrives — the day of my liberation — I will be insane.
Luckily, after Judge and Chief of Police brought me back here, I got the idea of how to save myself and kill time. I asked Jailer for paper and a pencil and began to write before time could bury me in this silent hell called Maximum Security Prison.
Because here, only my thoughts are free.
Unburdened by obstacles, they cross bars, break through prison walls, and go where they want to. Sometimes they are distant, in the City with my friends, sometimes at home with my mom and dad, or at CC, the City’s Sports Club with my teammates and Champion, the coach. My thoughts are also with the fans, those marvelous fans who cheered me on, yelling my name until the bleachers trembled. My thoughts are even free within time — time, which here does not move, though racing on outside. My thoughts have absolute freedom. They can return to my hometown’s past and accompany a man, who alone and lonely, climbed the mountain.
The loner reached the summit, which for him was the top of the world. He stopped to absorb the beauty surrounding him. It was almost night, and the setting sun dazzled him with its final, red rays.
Soon after, it was the moon’s turn.
Charming, goldenly feminine, the moon enchanted the night, overpowering the stars that blanketed the loner. Lying on the ground, amazed by the heavens, inhaling the sweet fragrance of grass, he slept peacefully. He dreamt dreams born of a clean conscience, heavy healing dreams, deep as those of children. His very soul was at rest.
Unfortunately, he missed the dawn. When he awoke, the sun was shining high overhead, illuminating the splendor of the mountainside. Bursting with compassion, he could not accept that this masterpiece of nature had no human audience to admire it. He pitied all who had left this life without having the opportunity to share the view he now contemplated alone. It would be selfish not to share this joy with others — many others — who would thrive living in this place, this gift of God. Others, many others, a city...
The loner was filled with inspiration. “Yes, a city,” he thought. “My friends and I will build a city right here, and the inhabitants will flourish.”
Many generous thoughts spun through the mind of the loner before he began the fatiguing way back down the mountain. Running most of the way, he descended and returned home to invite his friends to help him in a great task: the founding of a city.

Thursday, December 14, 2006

THE CITY OF THE LONER


Hello Everybody! A few days ago we have posted a note in this Blog about "The City of The Loner," a book by Luiz Gonzaga Lopes. The author is a very good friend of mine. A good writer and above all an excellent poet. The book tells us the creation of a city. A city of our dreams... You will all have the chance of reading it. The City of The Loner will be posted here a chapter every week. Make good use of it. Hugo Caldas



PREFACE

SIMPLY ACCEPTING
THE FANTASTIC

Martha Luhrs Viegas

In this preface, I must confess a horrible truth.
I have lived in Brazil teaching literature for over thirty years at the American School of Recife, and during that time I have not read Brazilian classics.

During my first years here, I actually plodded through some Jorge Amado, stumbling all the way through untranslatable idiomatic expressions (How could I guess that “street boy’s feet” was the name of a cake?) and running into brick walls of regionalism. “Oxente!” (A Northeastern expletive not found in dictionaries) I know a bit about this or that masterpiece, but only second hand, from accompanying my Brazilian American sons through their high school literature classes.

The truth is that I am lazy and I am a coward. When I have time to read, I want the relaxing ease of my own mother tongue. When I contemplate the time and work needed to truly understand between the lines, I shudder and reach for English.

I have not given up, however, and must thank Luiz Gonzaga Lopes for sharing his works and for asking me to translate The City of the Loner. By rewriting his text in English, I had to face idioms and regionalism and to deal with them. Amazingly, in the process of translation these problems did not daunt me.

What I realized during my voyage into the author’s mind is that what readers of translation need are not only understandable sentences, but an entire mind-set to prepare them for cultural differences.

During my first attempts to read Brazilian literature, I had no concept of magic realism. I could not make the leaps from my scientific reasoning to simple acceptance of the fantastic. I could not understand the concept of “cumplicidade” – the idea that being an accomplice could be a positive aspect of relationships. My cultural baggage was too full of preconceived notions and a dependency on provable facts.

I thank my dear, patient husband for sharing his culture with me, and I thank Luiz Gonzaga Lopes for challenging me to open my eyes to new worlds. I hope that my translation will help English readers to venture into a new world with an open mind, and to enjoy the humor and beauty of proud community life in The City of the Loner.